Slumdog Millionaire (Theatre) - Both

From the opening scene of Danny Boyle’s tale, India is a sight to behold. The bombastic movement that follows the children as they run through their slum depicts a tangible world for his characters to inhabit. Boyle’s cardinal filming techniques are present with quick edits, bright colors, and variable focus lengths. The pinnacle establishing shot jump cuts to a view that shows the children escape through a clearing in the hodgepodge of tin roofs that provide shelter for the slum. And much like Boyle’s last film, the amazing Sunshine, Boyle makes his set piece a character.

But to speak of only Boyle’s filming techniques would be a misstep. The script that Boyle puts to film is a classic tale that brings about thoughts of other old stories from Britain’s great authors. The film’s plot is a mixture of both Shakespeare’s Romeo and Juliet and Dickens’ Oliver Twist, with a little twenty-first century wrapper that pulls the plot together. The wrapper is truly what makes the plot stand out from a simple rehash of old tales of orphans and unrequited love and gives an easy climax to the old narratives.

Jamal Malik, awkwardly played by Dev Patel, uses Who Wants to be a Millionaire to get in touch with his lost love Latika. However, the police are interrogating him based on the idea that a man from the slums can, in no way, know all of the answers to get as far as he has gotten in the contest. The story of how Jamal came to know and fall in love with Latika is then told through his interrogation as he explains how he knows the answers to the entire list of questions. Each subsequent answer to the twenty or so questions chronologically steps us forward in his relationship with Latika.

And while this is one of the better films I have seen in the last year or so, I do have one major qualm with it. Joel pointed this one out before I had seen the film, and so while watching all I could think was the love between Latika and Jamal wasn’t based on anything really. They met as children, had a few harrowing adventures, but that is it. Are you in love with anyone you met when you were five? While this is not unlike Romeo and Juliet, and I still have problems with this plot device. Why would you love someone whom you’ve had very little contact with?

Boyle’s film gives the viewer a tangible India and a classic tale. It’s an optimistic film in a pessimistic season. I can’t wait to see Boyle’s next trick.

8 out of 10 – a fantastic view of India with a universal story.

Sunshine (Dvd) - Ashleigh

Fantastic Sci-Fi thriller. I enjoyed the visuals thoroughly. They made the vastness of space a character to be reckoned with. The first half of the movie was a psychological bender that could hold its own against any previous sci-fi-emptyness-of-space-gets-us-frightened-of-our-own-shadow movie, but it does nothing new from these movies. I'm not entirely sure it ever does anything new, which isn't a bad thing, but it does stumble a bit at the end. As the movie jogs to its climactic tipping point it turns into a Michael Bay fight to save humanity against a blurry melting villain. There were so many directions you could have gone to have avoided this poor ending, but alas this is not the case. Boyle again chooses a score that compliments his style and the film's mood. Overall, another fantastic film in Danny Boyle's arsenal, making me think this man can do no wrong.

7 out of 10: Sci-Fi at its peak, but missing a satisfying ending